R oberto Romano
Multi-instrumentalist, composer, teacher.
He began playing at the age of twelve, studied clarinet and sax with maestro Paolo Tommelleri and harmony with Fusco and graduated from “Nuova Milano Musica”. He approaches the ethnic music of various continents: Africa, India, Middle East, South America and learns the different musical and cultural languages of these countries through travel and internships with international masters including: Koffi Koko (Benen), Chaurasia (India), Gasparian (Armenia).
He plays in the Jazz, Afro, Fusion, Pop, Latin American, Ethnic, Reggae fields.
He has collaborated with: Stewart Copeland (United States), Dennis Bowell (Barbados), Sainkho Namtchylak (Russia), Chorus Hispano Americano, Koffi Koko (Benen choreographer dancer), Nabi Kamara (Guinea), Ballake Sissoko (Mali), Rosso Maltese, Bobo Rondelli, Baustelle, Cristina Donà, Volwo, Luca Gemma, Dente, Pacifico, Ludovico Einaudi and various jazz-swing big bands.
He has collaborated on musical projects to support theater, dance, meditation centers and street art. He is a music therapist and music educator in various centers for children with social problems and people with disabilities.
Instruments: sax, clarinet, transverse flute, duduk, bansouri, quena, peul flute, percussion, n'goni, harmonium, voice. www.facebook.com/RobertoRomanoRadici/
A ndrea Viti
Bass player, composer and artistic producer.
Study harmony and electric bass with Maestro Dino D'Autorio.
Collaborations: Karma, Afterhours, Blaine L. Reininger (Tuxedomoon), Hugo Race, Greg Dulli, Mark Lanegan, Carla Bozulich, Justina Lee Brown, Simone Massaron, Denis Stern, Vladimir Demyanov, Pier Luigi Ferrari, Aco Bocina, Franco Battiato, Alice , Marco Guarnerio, Osvaldo di Dio, Mino Di Martino, Xabier Iriondo, Enrico Gabrielli, Sebastiano De Gennaro, Fausto Rossi, Raiz, Cristina Donà, Volwo, Tiromancino, Dorian Gray, Luca Gemma, Paolo Iafelice, Benedetta Laurà, Gianpietro Marazza, Giancarlo Honored, Opera Nomadi, Nick Taccori, Gnola Blues Band, Andy J. Forest, Paolo Bonfanti, Roberto Morbioli, Zeno de Rossi. He has also collaborated with: Guido Harari, Guido Chiesa, Silvia Alfei, Claudio Sinatti, Teatro Pane and Mate.
M assimilate Peri
Musician, sound researcher and percussion teacher (certificate of participation from the Ignacio Serbantes musical academy - Habana de Cuba). He studied under the personal guidance of Zen master Chino Chang (the art of the drum). Collaborations: Teresa De Sio, Cristiano De Andre ', Vinicio Capossela, Mauro Pagani, PFM, Rosso Maltese. After several years of experience acquired in the East (India, Tibet, Kashmir), he retires for two years in the Orobic Alps under the guidance of Maestro Bee (best seller "The Beggar of Light") deepening the study and practice with the Cristal Bowl ( sound medicine). He becomes an animator for the development of creative intelligence. He works for several years in art therapies (Ass. Centro Politeama Varedo) with the disabled with individual and group sessions at the CPS (Seregno Psychiatric Center). Considering the great versatility of these sound vessels he undertakes musical projects and meets Patrizia Maranesi collaborating for some years in the lyric sound project (Lux Vivens). He collaborates with Giampaolo Campus, musician and sound researcher, founder of the Netlabel Paraphonic Factory.
www.parafonicanetlabel.blogspot.it/2014/02/massimiliano-peri
Collaborators
Alessandro Manca
Alessandro Manca (Lecco, 1985)
Free researcher. Graduated in Modern Literature with a thesis dedicated to 'A Postmodern Weekend' by Pier Vittorio Tondelli, passionate about poetry and literature.
For years a scholar and reader of the underground poetry movement in Italy in the 1960s and of the American Beat Generation.
He writes poetry and researches the alchemical transformations of the 'word' throughout history. In 2018 he edited the volume 'The sons of amazement. The Italian beat generation '[Sirio Films, 2018]. With this book and the attached documentary film (by F. Tabarelli), for the first time in Italy, an articulated and documented overview of Italian underground poetry and of the context in which it has developed was offered, trying to fill a strong gap lasted more than fifty years.
Gustavo Giménez
Alternative musician and sound poet who uses the voice as a fundamental element to compose recorded or live sound spaces, for exhibitions, dance or theater.
With "Don nadie" he was part of the Spanish scenic avant-garde of polypoetry at the beginning of the millennium, accompanying poets like Charo de la Varga in "Dark matter" or Daniel Rabanaque in "Silencio y otras prácticas de estimulación oral". Together with Marwan Nasser, a percussionist of Lebanese ancestry he created "Psicofonías" an alternation of voice and percussion.
In his hometown, Zaragoza, he leads the "Chorus experimental para jóvenes audaces".
Author of the vocal music disc "ORA", he moves with his vocal performance and conducts workshops on choral and creative use of the voice.
From the whisper to the scream, from the newborn to the beast.
